"How Should We Speak of Interiors?"
Edward Hollis studied Architecture at Cambridge and Edinburgh Universities. For the subsequent six years he practiced as an Architect. He worked first in Sri Lanka, in the practice of Geoffrey Bawa, famous for his garden of follies and ruins at Lunuganga; and then in the practice of Richard Murphy, known for his radical alterations to ancient and historic buildings in and around Edinburgh.
In 1999, Edward Hollis began lecturing in Interior Architecture at Napier University, Edinburgh, working with students both in the design studio, and in more theoretical disciplines. In 2004, he moved to Edinburgh College of Art, where he is now Director of Research and Professor of Interior Design.
Working with follies and ruins in Sri Lanka, with modern interventions to historic buildings in Scotland, and in the slippery discipline of Interiors, has focussed Edward’s research and theoretical thinking on the notion of time, story, and building.
Edward Hollis is currently working on a number of research projects. He is involved with current plans to revive the ruins of Gillespie Kidd and Coia’s seminary at Cardross. His first book, ‘The Secret Lives of Buildings’: a collection folk tales stories about mythical buildings was published in 2009, his second, 'The Memory Palace: A Book of Lost Interiors' in 2013. Both were longlisted for the Samuel Johnson prize for non fiction.
"Interior, Ideology and Alternatives for the Public Interior"
Mark Pimlott (Montreal, Canada, 1958) is Assistant Professor in the Chair of Interiors Buildings Cities, Department of Architecture, Faculty of Architecture and the Built Environment at Delft University of Technology, the Netherlands. He is the author of 'Without and Within: Essays on Territory and the Interior' (2007); ‘In Passing’ (2010), and 'The Public Interior as Idea and Project' (2016). His practice incorporates photography, art for public places, and design, particularly of objects and interiors. Among his works are ‘World’ at BBC Broadcasting House, London (2013); ‘La scala’, Aberystwyth (2003); and interiors of the Red House, London (2001-2011, with Tony Fretton architects). His work has been exhibited internationally, including the twelfth Biennale internazionale di architettura di Venezia (2010). He lives and works in The Hague, Netherlands.
"Finding Recipes for Interiority"
Paramita Atmodiwirjo is a professor of architecture at the Universitas Indonesia. She studied architecture at the University of Sheffield and Universitas Indonesia and education at the University of Bath. Her research interests are on the relationship between architecture, interior and the users’ behavior, and how such relationship should be the basis for designing for the users’ well-being.
Her works particularly focus on the importance of human body in our understanding of architecture and interior, and the needs to pay attention to users with special needs including children, elderly, diffable people and patients in healthcare setting. She is also active in developing learning methods for architectural education, to promote students’ creativity and awareness of the relationship between users and space. She also works closely with schools and communities in various community engagement projects to improve the quality of spaces for learning and living.
Paramita has been involved in the development of national standards for educational facilities with the Board of National Standard of Education (BSNP). She has been awarded Holcim Awards Asia Pacific 2011, Teaching Excellence Award 2014 from Faculty of Engineering Universitas Indonesia, IAI Jakarta Award 2012 and Community Engagement Award from Universitas Indonesia in 2010 and 2011. She is the member of scientific committee for Asian Journal of Environment-Behavior Studies (ajE-Bs) and International Journal of Technology, (IJTech), and the secretary for International Association For Lifewide Learning (IAFLL).
"Between Reality and Desire:
The Model as Performance"
Lawrence Wallen is Professor and Head of the School of Design at the University of Technology Sydney, Director of the spatial prototyping lab and Co-Director of the Joint PhD program ‘Critical Spatial Thinking: Performative Practices and Narrative Spaces in Design’ in collaboration with TU Berlin. He has a background in architecture, visual arts and design. From 2002 to 2012 he was Professor of Scenography at the Zurich University of the Arts (ZHdK). His spatial practice ranges from stage design and installation to immersive and ambient media with recent projects realised in Italy, Australia and Cyprus, combined with a body of scholarly research focused on scenography, material thinking, spatial practices and landscape theory. He has been a guest artist at the Centre for Art and Media (ZKM) in Germany and is Head of Applied Media at the Salzburg Urstein Institute.
Oh, thank goodness we're coming out of the asteroid field. Let's get out of here. Ready for light-speed? One...two...three! It's not fair! The transfer circuits are working. It's not my fault! No light-speed? It's not my fault. Sir, we just lost the main rear deflector shield. One more direct hit on the back quarter and we're done for. Turn her around. I said turn her around! I'm going to put all power in the front shield. You're going to attack them?! Sir, the odds of surviving a direct assault on an Imperial Star Destroyer... Shut up!